Latest music video I shot for Yeah! Films and Like Pacific!
mobile link
Director: Miguel Barbosa
Producer: Jacob Morris
DoP/Colourist: Ryan Glover
AC: Aaron McMurtry
Gaff/Grip: Luc Capasso
RED One MX and Lomo anamorphic lenses
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Showing posts with label R3D. Show all posts
Showing posts with label R3D. Show all posts
Thursday, March 2, 2017
THROUGH TIME trailer
I recently reunited with director Sarah Rotella (Almost Adults) to shoot a pitch trailer for her new web series Through Time.
Check out the full credits on Vimeo: https://vimeo.com/205635365
RED One MX with Lomo standard speed lenses.
Check out the full credits on Vimeo: https://vimeo.com/205635365
RED One MX with Lomo standard speed lenses.
Tuesday, November 8, 2016
KNUCKLE PUCK II
This was a super exciting shoot. A very complicated, high-concept video beautifully conceived by Miguel Barbosa and executed on the day by many talented folks.
mobile link
Directo & Editor - Miguel Barbosa
Producer - Jacob Morris
Director of Photography & Colourist - Ryan C. Glover
Featuring - Nela Gojevic
Assistant Director - Dave Provost
Creative Director - Matheson Murray
Steadicam Operator - Mitch Mommaerts
Assistant Camera - Aaron McMurtry
Gaffer & Grip - Luciano Capasso
Production Assistants - Jared Cipak, Chris Casarin
Shot on RED One MX and vintage LOMO 22mm lens.
mobile link
Directo & Editor - Miguel Barbosa
Producer - Jacob Morris
Director of Photography & Colourist - Ryan C. Glover
Featuring - Nela Gojevic
Assistant Director - Dave Provost
Creative Director - Matheson Murray
Steadicam Operator - Mitch Mommaerts
Assistant Camera - Aaron McMurtry
Gaffer & Grip - Luciano Capasso
Production Assistants - Jared Cipak, Chris Casarin
Shot on RED One MX and vintage LOMO 22mm lens.
Tuesday, October 18, 2016
THE LETDOWN
New music video I shot for The Letdown:
mobile link
Director, Editor - Miguel Barbosa
Producer - Jacob Morris
Cinematography, Colour - Ryan C. Glover
Set by - Paige Foskett, Jacob Morris
Shot on the RED One MX and LOMO spherical lenses.
mobile link
Director, Editor - Miguel Barbosa
Producer - Jacob Morris
Cinematography, Colour - Ryan C. Glover
Set by - Paige Foskett, Jacob Morris
Shot on the RED One MX and LOMO spherical lenses.
Friday, June 24, 2016
COLDFRONT III
Newest collaboration with Yeah! Films and the awesome band Coldfront:
mobile link
Director, Editor - Miguel Barbosa
Producer - Jacob Morris
Cinematography, Colour - Ryan C. Glover
Sound - Sasha Szlafarski
Assistant Camera - Aaron McMurtry
Gaffer, Grip - Luciano Capasso
Starring - Paige Foskett
mobile link
Director, Editor - Miguel Barbosa
Producer - Jacob Morris
Cinematography, Colour - Ryan C. Glover
Sound - Sasha Szlafarski
Assistant Camera - Aaron McMurtry
Gaffer, Grip - Luciano Capasso
Starring - Paige Foskett
Monday, March 14, 2016
Friday, February 12, 2016
KNUCKLE PUCK
My newest collaboration with the folks at Yeah! Films.
Mobile link
Director/Editor - Miguel Barbosa
DP/Colourist - Ryan Glover
Shot on my RED One MX with Lomo anamorphic lenses.
Mobile link
Director/Editor - Miguel Barbosa
DP/Colourist - Ryan Glover
Shot on my RED One MX with Lomo anamorphic lenses.
Saturday, January 16, 2016
LIKE PACIFIC II
The second music video I've DPed/coloured for Like Pacific.
Once again directed/edited by Miguel Barbosa of YEAH! Films.
Mobile link
This was my first chance to shoot on the RED Epic Dragon.
We shot in 6K anamorphic with my Lomos.
The increased field of view over my RED One MX was really awesome. As you can see, there's a lot more barrel distortion than in my other videos, which I love.
We shot using the Skin Tone Highlight OLPF and compression ranging from 5:1 to 8:1.
Overall, really enjoyed using the Dragon!
Once again directed/edited by Miguel Barbosa of YEAH! Films.
Mobile link
This was my first chance to shoot on the RED Epic Dragon.
We shot in 6K anamorphic with my Lomos.
The increased field of view over my RED One MX was really awesome. As you can see, there's a lot more barrel distortion than in my other videos, which I love.
We shot using the Skin Tone Highlight OLPF and compression ranging from 5:1 to 8:1.
Overall, really enjoyed using the Dragon!
Wednesday, November 25, 2015
READY THE PRINCE
Shot the new music video for Ready The Prince's Drunk Without A Drug.
Really stoked that the lighting concept came together the way I had hoped.
Mobile link
Filmed in 4K on my RED One MX kit with my LOMO anamorphic prime lenses.
Director & Editor - Miguel Barbosa for Yeah! Films.
DP/Colourist - Ryan Glover
Really stoked that the lighting concept came together the way I had hoped.
Mobile link
Filmed in 4K on my RED One MX kit with my LOMO anamorphic prime lenses.
Director & Editor - Miguel Barbosa for Yeah! Films.
DP/Colourist - Ryan Glover
Friday, June 19, 2015
NO KING FOR COUNTRYMEN
Recently DPed the new video for Hospital Beds, the new single from No King For Countrymen.
Really stoked on how it came out:
Filmed in 4K on my RED One MX kit with my LOMO anamorphic prime lenses.
Director & Editor - Miguel Barbosa for Yeah! Films.
DP/Colourist - Ryan Glover
Producer - Matheson Murray
Really stoked on how it came out:
Filmed in 4K on my RED One MX kit with my LOMO anamorphic prime lenses.
Director & Editor - Miguel Barbosa for Yeah! Films.
DP/Colourist - Ryan Glover
Producer - Matheson Murray
Thursday, April 2, 2015
RED One MX//ANAMORPHIC tests
Spent some time recently testing my Lomo squarefront anamorphic lenses on my RED One outside of the standard 4K ANA record mode.
These shots were all captured at the camera's full 4096x2304 resolution.
The exteriors are 24p and cropped to about a 3:1 aspect ratio.
Interiors are un-cropped and conformed from 30p.
I really wish Red had added a 4.5K ANA mode like they added the 4.5K widescreen mode.
That would allow me to see more of these lenses field of view and with anamorphic, that's where a lot of the magic hides; distortion, vignetting, bowing, mmm...
UPDATE: I did a few more tests since it's got a little nicer out.
The following edit plays twice; first un-cropped at 3.56:1 then with a 2.67:1 crop.
These shots were all captured at the camera's full 4096x2304 resolution.
The exteriors are 24p and cropped to about a 3:1 aspect ratio.
Interiors are un-cropped and conformed from 30p.
I really wish Red had added a 4.5K ANA mode like they added the 4.5K widescreen mode.
That would allow me to see more of these lenses field of view and with anamorphic, that's where a lot of the magic hides; distortion, vignetting, bowing, mmm...
UPDATE: I did a few more tests since it's got a little nicer out.
The following edit plays twice; first un-cropped at 3.56:1 then with a 2.67:1 crop.
Thursday, March 26, 2015
STIGMA APP web spot
web commercial spot for the new Stigma journaling app.
Director - Miguel Barbosa
Producer - Matheson Murray
Cinematography - Ryan Glover
Photographed on the RED One MX in 4.5K with Lomo Spherical Lenses.
Director - Miguel Barbosa
Producer - Matheson Murray
Cinematography - Ryan Glover
Photographed on the RED One MX in 4.5K with Lomo Spherical Lenses.
Tuesday, March 17, 2015
DAVID C. WIGLEY
A brief portrait of Toronto designer David C. Wigley.
Captured on my RED One MX at 4.5K with a Lomo 22mm spherical lens.
Captured on my RED One MX at 4.5K with a Lomo 22mm spherical lens.
Saturday, January 17, 2015
LIKE PACIFIC
New music video for Like Pacific's new track 'Eviction'
http://purenoise.net
Director/Editor - Miguel Barbosa http://yeahfilms.tv
DP/Colourist - Ryan Glover
Assist - Matheson Murray
Filmed on the RED One MX with Lomo anamorphic lenses.
http://purenoise.net
Director/Editor - Miguel Barbosa http://yeahfilms.tv
DP/Colourist - Ryan Glover
Assist - Matheson Murray
Filmed on the RED One MX with Lomo anamorphic lenses.
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