Tuesday, November 8, 2016

KNUCKLE PUCK II

This was a super exciting shoot. A very complicated, high-concept video beautifully conceived by Miguel Barbosa and executed on the day by many talented folks.


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Directo & Editor - Miguel Barbosa
Producer - Jacob Morris
Director of Photography & Colourist - Ryan C. Glover
Featuring - Nela Gojevic
Assistant Director - Dave Provost
Creative Director - Matheson Murray
Steadicam Operator - Mitch Mommaerts
Assistant Camera - Aaron McMurtry
Gaffer & Grip - Luciano Capasso

Production Assistants - Jared Cipak, Chris Casarin

Shot on RED One MX and vintage LOMO 22mm lens.

Tuesday, October 18, 2016

THE LETDOWN

New music video I shot for The Letdown:


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Director, Editor - Miguel Barbosa
Producer - Jacob Morris
Cinematography, Colour - Ryan C. Glover
Set by - Paige Foskett, Jacob Morris

Shot on the RED One MX and LOMO spherical lenses.

Wednesday, October 5, 2016

BRICKWORKS

A short-end of 16mm Kodak 7219, an Arri SR3 and a Lomo 35mm 2x anamorphic lens...


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Featuring: Krista Dzialoszynski
Music: Waxahatchee - Michel
Processing:  Niagara Custom Lab
Transfer: Frame Discreet (5k overscan, downscaled to 2k for edit and colour)

Friday, June 24, 2016

COLDFRONT III

Newest collaboration with Yeah! Films and the awesome band Coldfront:

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Director, Editor - Miguel Barbosa
Producer - Jacob Morris
Cinematography, Colour - Ryan C. Glover
Sound - Sasha Szlafarski
Assistant Camera - Aaron McMurtry
Gaffer, Grip - Luciano Capasso
Starring - Paige Foskett

Friday, February 12, 2016

KNUCKLE PUCK

My newest collaboration with the folks at Yeah! Films.


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Director/Editor - Miguel Barbosa
DP/Colourist - Ryan Glover

Shot on my RED One MX with Lomo anamorphic lenses.

Saturday, January 16, 2016

LIKE PACIFIC II

The second music video I've DPed/coloured for Like Pacific.
Once again directed/edited by Miguel Barbosa of YEAH! Films.


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This was my first chance to shoot on the RED Epic Dragon.
We shot in 6K anamorphic with my Lomos.
The increased field of view over my RED One MX was really awesome. As you can see, there's a lot more barrel distortion than in my other videos, which I love.
We shot using the Skin Tone Highlight OLPF and compression ranging from 5:1 to 8:1.
Overall, really enjoyed using the Dragon!