Shot the new music video for Ready The Prince's Drunk Without A Drug.
Really stoked that the lighting concept came together the way I had hoped.
Mobile link
Filmed in 4K on my RED One MX kit with my LOMO anamorphic prime lenses.
Director & Editor - Miguel Barbosa for Yeah! Films.
DP/Colourist - Ryan Glover
Wednesday, November 25, 2015
READY THE PRINCE
Labels:
Anamorphic
,
cinematography
,
director of photography
,
Lomo
,
Music VIdeo
,
R3D
,
RED One MX
Monday, November 9, 2015
New Demo Reel
I have updated my cinematography demo reel with a bunch of footage from 2015. Enjoy!
Get in touch if you have any projects you'd like to collaborate on.
Mobile link
Get in touch if you have any projects you'd like to collaborate on.
Mobile link
Labels:
Anamorphic
,
cinematographer
,
cinematography
,
Demo
,
Demo reel
,
director of photography
,
GH2
,
GH4
,
Hills Green
,
RED One MX
,
ryan c glover
,
ryan glover
,
s16mm
,
toronto
Sunday, November 1, 2015
SEAWAY
The ultra whacky video for Seaway's Best Mistake:
mobile link
Director, Producer, Editor - Miguel Barbosa
Cinematography - Ryan C. Glover
Co-Director, Associate Producer - Dave Provost
Animator - Hannah Epstein
mobile link
Director, Producer, Editor - Miguel Barbosa
Cinematography - Ryan C. Glover
Co-Director, Associate Producer - Dave Provost
Animator - Hannah Epstein
Labels:
cinematography
,
director of photography
,
Music VIdeo
,
RED One MX
Friday, June 19, 2015
NO KING FOR COUNTRYMEN
Recently DPed the new video for Hospital Beds, the new single from No King For Countrymen.
Really stoked on how it came out:
Filmed in 4K on my RED One MX kit with my LOMO anamorphic prime lenses.
Director & Editor - Miguel Barbosa for Yeah! Films.
DP/Colourist - Ryan Glover
Producer - Matheson Murray
Really stoked on how it came out:
Filmed in 4K on my RED One MX kit with my LOMO anamorphic prime lenses.
Director & Editor - Miguel Barbosa for Yeah! Films.
DP/Colourist - Ryan Glover
Producer - Matheson Murray
Labels:
Anamorphic
,
bokeh
,
cinematographer
,
cinematography
,
director of photography
,
filmmaking
,
Music VIdeo
,
R3D
,
RED One MX
,
ryan c glover
,
ryan glover
,
toronto
A WALK
I had a chance to shoot a very cool experimental narrative project the other weekend with Midland filmmaker Ashley Matt.
All exterior, all natural lighting. Some very, very interesting long takes. It was a blast.
I filmed the project with my RED One MX and LOMO anamorphic primes lenses.
Here are some stills pulled from the 4K footage:
All exterior, all natural lighting. Some very, very interesting long takes. It was a blast.
I filmed the project with my RED One MX and LOMO anamorphic primes lenses.
Here are some stills pulled from the 4K footage:
Labels:
cinematography
,
director of photography
,
Feature Film
,
filmmaking
,
Independent
,
Lomo
,
Lomo anamorphic
,
RED One MX
,
ryan c glover
,
ryan glover
Thursday, April 2, 2015
RED One MX//ANAMORPHIC tests
Spent some time recently testing my Lomo squarefront anamorphic lenses on my RED One outside of the standard 4K ANA record mode.
These shots were all captured at the camera's full 4096x2304 resolution.
The exteriors are 24p and cropped to about a 3:1 aspect ratio.
Interiors are un-cropped and conformed from 30p.
I really wish Red had added a 4.5K ANA mode like they added the 4.5K widescreen mode.
That would allow me to see more of these lenses field of view and with anamorphic, that's where a lot of the magic hides; distortion, vignetting, bowing, mmm...
UPDATE: I did a few more tests since it's got a little nicer out.
The following edit plays twice; first un-cropped at 3.56:1 then with a 2.67:1 crop.
These shots were all captured at the camera's full 4096x2304 resolution.
The exteriors are 24p and cropped to about a 3:1 aspect ratio.
Interiors are un-cropped and conformed from 30p.
I really wish Red had added a 4.5K ANA mode like they added the 4.5K widescreen mode.
That would allow me to see more of these lenses field of view and with anamorphic, that's where a lot of the magic hides; distortion, vignetting, bowing, mmm...
UPDATE: I did a few more tests since it's got a little nicer out.
The following edit plays twice; first un-cropped at 3.56:1 then with a 2.67:1 crop.
Labels:
Anamorphic
,
bokeh
,
cinematographer
,
cinematography
,
director of photography
,
filmmaking
,
freelance
,
Lomo anamorphic
,
R3D
,
RED
,
RED One MX
Thursday, March 26, 2015
STIGMA APP web spot
web commercial spot for the new Stigma journaling app.
Director - Miguel Barbosa
Producer - Matheson Murray
Cinematography - Ryan Glover
Photographed on the RED One MX in 4.5K with Lomo Spherical Lenses.
Director - Miguel Barbosa
Producer - Matheson Murray
Cinematography - Ryan Glover
Photographed on the RED One MX in 4.5K with Lomo Spherical Lenses.
Labels:
cinematographer
,
cinematography
,
Commercial
,
Lomo
,
R3D
,
RED One MX
Tuesday, March 17, 2015
DAVID C. WIGLEY
A brief portrait of Toronto designer David C. Wigley.
Captured on my RED One MX at 4.5K with a Lomo 22mm spherical lens.
Captured on my RED One MX at 4.5K with a Lomo 22mm spherical lens.
Labels:
Canada
,
cinematography
,
director of photography
,
Lomo
,
R3D
,
RED One MX
,
ryan c glover
,
toronto
Saturday, January 17, 2015
LIKE PACIFIC
New music video for Like Pacific's new track 'Eviction'
http://purenoise.net
Director/Editor - Miguel Barbosa http://yeahfilms.tv
DP/Colourist - Ryan Glover
Assist - Matheson Murray
Filmed on the RED One MX with Lomo anamorphic lenses.
http://purenoise.net
Director/Editor - Miguel Barbosa http://yeahfilms.tv
DP/Colourist - Ryan Glover
Assist - Matheson Murray
Filmed on the RED One MX with Lomo anamorphic lenses.
Labels:
Anamorphic
,
Canada
,
cinematographer
,
cinematography
,
director of photography
,
freelance
,
indie music
,
lens flare
,
Lomo
,
Lomo anamorphic
,
Music VIdeo
,
pop punk
,
R3D
,
RED
,
RED One MX
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